Social Distortion Born To Kill
- Alternative |
- Garage |
- Rock
2026
Social Distortion rekindle the flame with Born To Kill, sounding like a barroom jukebox at full volume that only plays songs about scars, second chances, and the long road home to salvation.
Social Distortion rekindle the flame with Born To Kill, sounding like a barroom jukebox at full volume that only plays songs about scars, second chances, and the long road home to salvation.
mclusky roar back with i sure am getting sick of this bowling alley, six sharp blasts of noise, sarcasm, and post-punk muscle that prove their second act has real bite.
mclusky roar back with i sure am getting sick of this bowling alley, six sharp blasts of noise, sarcasm, and post-punk muscle that prove their second act has real bite.
UltraBomb aren’t looking to blow up and recreate punk rock in their own image on The Bridges That We Burn, but they do build a path from past to present with it.
UltraBomb aren’t looking to blow up and recreate punk rock in their own image on The Bridges That We Burn, but they do build a path from past to present with it.
LØLØ’s god forbid a girl spits out her feelings! turns bad decisions, oversharing, and emotional chaos into sharp pop-rock hooks with enough bite to make honesty sound like a power move.
LØLØ’s god forbid a girl spits out her feelings! turns bad decisions, oversharing, and emotional chaos into sharp pop-rock hooks with enough bite to make honesty sound like a power move.
Linda Perry’s Let It Die Here is a deeply personal, cinematic reckoning, steeped in grief, survival, and spiritual release, a fearless body of work that closes one chapter and sanctifies the scars left behind.
Linda Perry’s Let It Die Here is a deeply personal, cinematic reckoning, steeped in grief, survival, and spiritual release, a fearless body of work that closes one chapter and sanctifies the scars left behind.