Various Antone’s 50th Presents Chicago Bound: Honoring Muddy, Cliff & Blue
Release Date: August 28, 2026
Label: Blues Till 2 Recording Co.
Billy F Gibbons, Keith Richards, Ronnie Wood, Doyle Bramhall II, and more celebrate the enduring legacy of Austin's legendary Antone's Nightclub on Chicago Bound: Honoring Muddy, Cliff & Blue.
For half a century, Antone's Nightclub in Austin, Texas has been a gathering place where blues traditions have been preserved, passed down, and kept vibrantly alive. Now, Antone's 50th Presents Chicago Bound: Honoring Muddy, Cliff & Blue celebrates that legacy with a collection that brings together some of the biggest names in the genre to honor both the music and the man who dedicated his life to it.
Inspired by the overwhelming response to the club's Antone's: 50 Years of the Blues box set in 2025, this new album extends the celebration with ten live-to-tape performances that capture the raw spirit and spontaneity that have defined Antone's since Clifford Antone first opened its doors. Rather than polishing away the edges, these recordings embrace the energy of musicians playing together in the moment.
The lineup reads like a blues hall of fame. John Primer opens with the title track before returning for a powerhouse finale of "Got My Mojo Working" alongside Lil' Ed Williams and Kenny "Beedy Eyes" Smith. Doyle Bramhall II, Kim Wilson and the Fabulous Thunderbirds, Anson Funderburgh, Lurrie Bell, and Lavelle White all contribute performances rooted in Chicago blues tradition while adding their own unmistakable voices.
Elsewhere, Billy F Gibbons pays tribute to his longtime friend Clifford Antone on the heartfelt "Hangin' on a Cliff," while Ivan Neville and CC Adcock transform a Clifton Chenier gem with help from Keith Richards, Ronnie Wood, and Jimmie Vaughan. Kam Franklin delivers a stirring take on Bobby "Blue" Bland's "I Wouldn't Treat a Dog (The Way You Treated Me)," backed by Bland's son, drummer Rodd Bland, creating one of the album's most emotionally resonant moments.
Threaded throughout is the spirit of Clifford Antone himself, including a brief interlude in which he reminds listeners that "the blues is so big that no one person could ever learn it in a lifetime." Fifty years after Antone's first opened, Chicago Bound proves exactly what he meant, celebrating a living tradition that continues to grow with every new generation of artists.