Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma For Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. A cracked mirror reflecting back the American zeitgeist in this foul year of Our Lord, Two Thousand and Eighteen. With Karma, Tasjan establishes himself as an artist who not only evolves over time but isn’t afraid to risk reinventing himself completely from one record to the next.

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